Monday, October 21, 2019

Pasta Lunga Dough for a Torchio


I first made the pasta dough featured in this post on World Pasta Day—25 October—back in 2016. The dough contains a blend of freshly milled and bolted White Sonora flour (here) and Organic Artisan Baker’s Craft bread flour from Central Milling. I developed this dough for use in a torchio pasta press (here) and it works extremely well when extruding long forms of pasta (e.g., spaghetti, spaghetti quadri (here) and even capelli d’angelo (angel hair)). 


I previously covered my approach to milling (here) and bolting flour (here). The following recipe, which makes enough pasta to serve 2 or 3, includes precise weights based upon the results that I consistently achieve with my KoMo Fidibus Classic grain mill and Gilson Company No. 40 and No. 50 stainless steel test screens. Different milling and bolting set-ups will yield different results. Treat the following recipe as a guide and adjust, adding more or less of an ingredient, as necessary. It may help to know that the 85 grams of twice bolted White Sonora flour described in step 8, below, constitutes approximately 57% of the total flour used to make the pasta dough.

1) Place a medium-sized pouring bowl on a scale, tare the scale and put 275 grams of White Sonora wheat berries into the bowl.


2) Adjust your grain mill to a fine—but not its finest—setting. On my KoMo Fidibus Classic mill, I set the grind indicator near the top left mitre joint of the face of the mill’s housing.

3) Place a clean sheet of parchment paper (approximately 13” x 15”) on your work surface under the mill’s spout. The paper needs to be large enough to catch the flour that falls through the bolting sieves.

4) Put a full height No. 40 sieve on top of the parchment paper under the mill’s spout. Turn on the mill and add the 275 grams of White Sonora wheat berries into the mill’s hopper. While the mill processes the flour into the sieve, replace the pouring bowl onto the scale, which should read zero.

5) After the mill finishes grinding the wheat berries, lift the sieve with one hand and lightly tap the sieve against the heel of your other hand so that the flour moves back and forth across the screen’s face and flour gently falls onto the parchment paper. Stop bolting when the falling flour begins to slightly darken and the remaining material in the sieve looks coarse compared to the bolted flour.

6) Pick up the parchment sheet on either side and carefully pour the sifted flour into the bowl on the scale. 275 grams of Sonora White wheat berries milled and sifted as described above produces approximately 130 grams of flour.

7) Replace the parchment sheet onto the work surface and put a full height No. 50 sieve on top of the sheet. Pour the ±130 grams of flour in the bowl into the sieve and replace the bowl onto the scale. Bolt the flour through the No. 50 sieve onto the parchment paper. Again, the material in the sieve will slowly darken as the flour makes its way through the screen, leaving behind bran and other material.


8) Carefully lift the sheet and pour the sifted flour into the bowl on the scale. You should have approximately 85 grams of White Sonora flour. 

9) Add 65 grams of Central Milling Organic Artisan Baker’s Craft flour to the White Sonora flour. You want the flour mixture (i.e., the bolted White Sonora flour and the Artisan Baker’s Craft flour) to weigh 150 grams. Stir the flour to blend.

10) Add 1 whole large egg and 2 egg yolks to a glass beaker and beat together. The egg mixture should weigh approximately 100 grams.

11) Put the 150 grams of flour into the bowl of a standing mixer equipped with a mixing paddle.

12) Turn on the mixer and set it at its lowest speed. Very—and this is key—slowly add small amounts of the beaten egg mixture into the flour. Patiently wait between each small pour to allow the mixer to incorporate the egg into the flour.



Most likely you will not need to add all of the egg mixture to get the proper consistency for this particular pasta dough. On average I use approximately 85 to 88 grams of the egg mixture. The dough should look clumpy, but not too dry. After removing the dough from the mixer’s bowl, you should be able to form it into a ball that retains its shape. The dough will feel a little dry, but don’t worry, it will soften as it hydrates in step 13, below. From start to finish, the step of adding the egg mixture to form the dough takes me about 6 minutes, more or less.


13) When the dough comes together as described in step 12, above, turn off the mixer and form the dough into a log shape that will fit into the torchio’s chamber. Very tightly wrap the dough log twice in plastic film and let it rest at room temperature for 30 minutes. Tightly wrapping the dough helps the dough to hydrate.

14) After 30 minutes, unwrap the dough, screw in your chosen torchio die and place the dough in the torchio’s chamber.  Set the piston into the chamber and turn the handle. Cut the pasta at your desired length. The pasta should feel dry and not unworkably sticky. When making a very thin noodle such as capelli d’angelo, I dust the cut pasta with semolina flour before placing the pasta on a tray to dry out a little. 



Although this dough works particularly well when making long noodles—this is my go-to recipe for thin soup noodles—don’t limit this dough to making pasta lunga; the dough works great for rigatoni (here), gramigna (here) and, well…a lot of different pasta shapes. The combination of the soft White Sonora’s elasticity and Central Milling’s hard bread flour produces a fantastic tasting pasta well-suited for a torchio. If you want to roll this dough with a pasta machine, soften up the dough by adding more of the egg mixture. If you do not own a grain mill and want to try out the recipe, consider using Hayden Flour Mills White Sonora Type 00 flour.

Happy Pasta Day, everyone!



Sunday, September 15, 2019

Flour Lab by Adam Leonti


The Fall 2019 Cookbook Season has arrived! On 10 September 2019, Clarkson Potter released Flour Lab by Adam Leonti with Katie Parla. On 24 September we’ll see American Sfoglino by Evan Funke with—again—Katie Parla (Chronicle Books) and The Gaijin Cookbook by Ivan Orkin and Chris Ying (Houghton Mifflin Harcourt). In October the floodgates burst open. I look forward to reading: Alpine Cooking by Meredith Erickson (Ten Speed Press); South by Sean Brock (Artisan); Pasta Grannies by Vicky Bennison (Hardie Grant); Poilâne by Apollonia Poilâne (Houghton Mifflin Harcourt) and Lavash by Kate Leahy, John Lee and Ara Zada (Chronicle Books). I’ll hold back on my picks in November’s crop, but will note that November’s offerings look as exciting as October’s.

If you frequent this site, you know that I spend a lot of my energy exploring fresh pasta and home-milling flour for pasta making. When I heard about Flour Lab by Adam Leonti and its section on pasta, I became pretty excited. Few books meaningfully cover making pasta with freshly milled flour, the exception being Paul Bertolli’s 2003 classic Cooking by Hand. Leonti worked with Marc Vetri and both clearly know pasta.

Although Flour Lab contains a section on pasta, it is not and does not bill itself as a pasta-centric text. The book’s subtitle reads “[a]n at-home guide to baking with freshly milled grains.” Flour Lab divides into six chapters: The State of Grain; Cooking with Fresh Flour; Making Bread; Making Pasta; Making Pizza; and Making Pastry, Cookies, and Cakes.

Flour Lab’s Making Pasta chapter runs about 50 pages long.  It opens with this sentence: “If you’re a novice, I want you to forget about recipes for a moment and instead get acquainted with how dough feels beneath your fingertips.” Sound advice. 

The challenge of a book like Flour Lab lies with having something meaningful to offer beginning, intermediate and experienced pasta makers. Based upon my reading of the book’s milling overview and pasta section, Flour Lab will satisfy and best serve the motivated novice and, perhaps, a slightly more seasoned maker. Beginners should not expect to be spoon-fed, but rather will be exposed to milling basics and possibilities. The real teaching comes from experimentation and the lessons gleaned.

Flour Lab rewards the attentive reader. For example, when attempting Leonti’s pasta recipes take note of his recommendations regarding Extraction (on pages 119 and 120 of the US hardcover first edition). He writes “[y]ou can make all of the pasta recipes here with 100% bran inclusion, but I recommend sifting out the bran, then adding a percentage back to taste.” He continues: for a pasta paired with a “hearty Bolognese, I add 5% of the weight of the flour—for example, I add 25 grams of bran to 500 grams of flour.” Personally, I think this important information belongs on the same page as the pasta dough recipes or with the pasta sauce recipes found at the end of the chapter. I understand that the amount of bran that a pasta maker wants in a pasta dough is, in part, a matter of personal taste. However, I believe the beginning pasta maker working with whole-grain flour will benefit from more guidance. A pasta novice trying to make Leonti’s whole-egg dough with 100% bran inclusion Sonora wheat will certainly be in for a wild ride.

The more advanced pasta maker should appreciate the legwork that Leonti put into the book’s Resources section and review his grain recommendations.  However, I don’t believe the advanced maker is his intended audience. In my opinion, Bertolli’s Cooking by Hand will better serve the more experienced pasta maker interested in using home-milled flour. With this said, any book that propels the home-milling movement forward deserves praise. If you are a new or intermediate pasta maker with an interest in home-milling flour, definitely check out Flour Lab.

Sunday, July 28, 2019

Pasta Knives


Next up in my series on pasta tools: the humble pasta knife. Many pasta makers have a favorite one that they use to hand cut pasta sheets into ribbons. For wide noodles, I like to use an Italian Pino Extra that I bought from a knife dealer on eBay. This Pino boasts a wide, heavy 9.5-inch blade that makes cutting tagliatelle a breeze. The knife also works particularly well slicing thick udon noodles. 



When I want to cut a thinner noodle, I pull out my razor-sharp Carter nakiri knife. Although wide, the blade is super thin thus making the knife well-suited to cutting tagliolini.


Carter sells its knives on-line. Finding a vintage Pino pasta knife might take a little more of an effort, but, in my opinion, worth it.