Showing posts with label The Geometry of Pasta. Show all posts
Showing posts with label The Geometry of Pasta. Show all posts

Sunday, February 10, 2013

Gramigna



Gramigna, like toppe (here), traditionally contains a blend of durum-wheat flour, type 00 flour and eggs. In her Encyclopedia of Pasta [2009], Oretta Zanini De Vita writes that you find the fresh version of gramigna (“little weeds” in Italian) in Emilia-Romagna and in its neighboring regions of the Marche and Friuli-Venezia Giulia. Outside of Italy, the small, sprout-like shape rarely appears as fresh pasta. Even finding the dry, factory made version can prove difficult here in the states. Why seek it out? The shape has an affinity with its traditional sauce—a sausage ragù(here)—and makes a unique and deeply comforting dish. As Lynne Rossetto Kasper writes in The Splendid Table [1992], gramigna is “Emilian coming-home-to-mother food.” Who wouldn’t want to eat Bolognese comfort food?

Like many Italian pasta shapes, gramigna evolved over time. The earliest homemade version was shaped by rubbing a hard dough over a large-hole grater. Graters gave way to home pasta presses mounted on walls or tables. When extruded, the fresh homemade and dry factory versions look similar, but expect the homemade pasta to look less uniform.


Luckily, making fresh gramigna at home is remarkably easy with a torchio or other type of pasta extruder. The bronze die does all the tricky work of creating a thin, curvy tube. Emiliomiti (here) in San Francisco sells a number of gramigna dies; I use No. 138. The only real secret to making gramigna in a torchio—like most extruded shapes—lies with the dough: it must be dry or the gramigna will stick to each other when extruded and cut.

The following dough represents somewhat of a departure from other torchio dough recipes I have shared on this site. The ratio of flour to liquid for my gramigna dough is 2 to 1. This mixture starts out extremely dry and I only knead the dough for 20 seconds or so. The approach in a nutshell: mix the flour and eggs together and wrap the dough in plastic wrap to hydrate for approximately an hour. Here are the ingredients and a detailed description of the process that I use to make gramigna in a torchio.

150 grams Caputo tipo 00 flour
50 grams Giusto Extra Fancy durum flour
100 grams of a beaten egg mixture comprised of 1 medium egg and 2 medium egg yolks

1) Weigh out the flour and sift into a heavy mixing bowl.

2) Place a cup on a scale and tare the scale. Crack and add the whole egg and two egg yolks into the cup. If the eggs weigh less than 100 grams, add egg whites or water to reach a weight of 100 grams. Remove the cup from the scale and mix to blend the whole egg and egg yolks (and water, if using).

3) Make a well in the flour and add 100 grams of the egg mixture. Incorporate the mixture into the flour with the fork until a crumbly mixture forms. Clean the dough off your fork and add it to the bowl.

4) Holding the bowl with one hand, reach into the bowl with your other hand and continue to mix the dough by hand. The goal is to incorporate all of the flour in the bowl into a rough dough that holds together. (If this mixture remains too dry and will not come together, add a quick spritz or two of water from a spray bottle.)

5) Turn your dough onto a clean work surface. Knead the dough a couple of times and tightly wrap the dough in plastic wrap. Let the dough rest at room temperature for about 1 hour.

6) Attach your torchio to a work surface and insert your gramigna die. Unwrap the dough and lightly dust it with flour. Roll the dough into a thick cylinder and slide this into the torchio’s chamber. Insert the torchio’s piston into the machine’s chamber and turn the torchio’s handle until the pasta extrudes from the die. (Don’t be surprised by the amount of effort necessary to operate the press. The dough that travels through the bronze die is hard and dry.) Cut the gramigna into approximately 1½-inch long pieces and place on a baking tray covered with semolina flour. Continue turning and cutting until the dough runs out. You will have enough pasta to serve 4 as a starter or 2 to 3 as a main course.

To cook the pasta, bring a large pot of salted water to the boil. Add the fresh gramigna, stir the pasta and when the water returns to the boil, cook for approximately 3 minutes. Taste to determine if the pasta is ready. If so, drain and add the gramigna to your ready sauce, mix the two together and cook the pasta and sauce for a minute or two.


More often than not the sauce accompanying gramigna contains pork sausage. Kasper’s The Splendid Table contains a recipe for Gramigna alla Salsiccia e Vino (Gramigna with Wine-Braised Sausage). Giuliano Bugialli’s Bugialli on Pasta [1988] features a recipe for Gramigna al Sugo di Salsicce (Gramigna with Sausage-flavored Sauce). In The Geometry of Pasta [2010] Jacob Kenedy serves gramigna in a cabbage and sausage sauce made with milk and butter.  The Italian-language La Pasta [2010] from Slow Food Editore includes a recipe from Trattoria da Gianni a la Vécia Bulàgna in Bologna entitled Gramigna al Ragù di Salsiccia (here) that features—surprise—sausage. Vegetarians take heart: Zanini De Vita writes that during the summer the pasta may be cooked directly in a light (sausage-free) tomato sauce.

Sunday, February 6, 2011

Torchio Revisited



This post contains updated die information from January 2022.

The first post on A Serious Bunburyist featured my sturdy Venetian pasta press called a torchio da bigoli or a bigolaro. The press came with two bronze dies: one to create a thick spaghettoni called bigoli and the other to make a ridged, tubular pasta called gargati. Both dies work perfectly with a dough that I make with Extra Fancy durum and all-purpose flour.




Over time I began to wonder if I could find other bronze pasta dies to use in my torchio. An illustration in Giuliano Bugialli’s outstanding cookbook Bugialli on Pasta [1988] gave me hope. The book’s section on regional pasta of the Veneto pictured an antique torchio with multiple dies.

I started my bronze die search by contacting Bottene, the torchio’s Italian manufacturer, but didn't receive a response. I then tried Emiliomiti, a US pasta equipment supplier, from whom I purchased my torchio. Yes, on occasion they receive different dies for the torchio. But more importantly, Emiliomiti discovered that the bronze dies used in an electric Italian pasta press called the Lillo also fit in the torchio.


A willing guinea pig, I ordered die No. 464. After some fieldwork, I am pleased to report that die No. 464 worked perfectly in my torchio.


A little background on die No. 464. Based upon my research, it makes a Southern Italian pasta called casarecce. Caz Hildebrand and Jacob Kenedy’s The Geometry of Pasta [2010] describes the shape: “Casarecce means ‘homemade,’ so it is somewhat ironic that this semolina pasta is industrially produced by extrusion to create an s-shaped section in short lengths of pasta.”


Although commercial producers make dried casarecce using only durum flour, you can make fresh casarecce with a durum and all-purpose flour blend. Why make casarecce? This twisted pasta, which is typically between 1- to 4-inches long, expertly holds a range of sauces. (Hildebrand and Kenedy pair casarecce with an arugula, tomato and onion sauce.)


Here is my recipe to make fresh casarecce in a torchio:
  • 150 grams Giusto’s Extra Fancy durum flour
  • 150 grams Giusto’s Baker’s Choice all-purpose flour
  • 2 large eggs (approximately 63 grams each)
  • 2 teaspoons olive oil
  • Approximately 2 tablespoons cold water
  • Sea salt

Because it is winter and my hens are not laying, I used large, store-bought eggs in place of the smaller, fresh eggs I typically use to make bigoli and gargati. To compensate for the larger eggs I reduced the amount of water in the dough to approximately 2 tablespoons. This dough is hard, which is what you want when making pasta with a torchio.

Since I originally penned this post in early 2011, I have developed a number of different torchio dough recipes that, in truth, I use more often than the one above. My current favorite (circa 2014) calls for 220 grams Central Milling type 00 normal pizza flour, 100 grams Central Milling Beehive malted all-purpose flour, 6 grams kosher salt, and 164 grams of an egg mixture comprised of 104 grams whole eggs, 40 grams egg yolks and 20 grams of water (or use egg whites instead of water). I wrote about this recipe here. My point in sharing an alternative recipe: feel free to experiment. When I work on a new torchio dough recipe, I try to avoid a dough that is too soft or too hard. Note that my latest "house dough" is pretty close to 2 parts flour blend to 1 part egg mixture. Depending upon what I want in terms of pasta texture, I add or subtract liquid. The type of pasta I make and the sauce I want influences my direction.


The Lillo bronze dies are thicker and heavier (and more expensive) than those supplied by Bottene for its torchio. Bottene makes both the electric Lillo and the manual Torchio Model B extruders.